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Return to Forever - 'Vulcan Worlds'

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Return to Forever performing the Stanley Clarke composition 'Vulcan Worlds' in Chicago, 1974. Some fun split-screen footage. Chick Corea - keyboards Al Di Meola - guitar Stanley Clarke - bass Lenny White - drums To the best of my knowledge, this performance is not commercially-available. Will remove it at the request of any of the musicians.

Channel: Music
Uploaded: November 30, 1999 at 12:00 am
Author: Davelovesjazz

Length: 07:32
Rating: 4.93
Views: 148989

Tags: 1974  Al  alembic  Chick  Clarke  Corea  Di  Forever  fusion  jazz  Meola  moog  piano  Return  rhodes  Stanley  to  Vulcan  Worlds  

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Video Comments

levanyzzuf (November 30, 1999 at 12:00 am)
Someone asked me to explain my position and I did so. It's not like I'm upset.
mario21128 (November 30, 1999 at 12:00 am)
???????????CHILL??????????????
HootyMcboobin (November 30, 1999 at 12:00 am)
Speaking of the Mars Volta, I noticed that this song shares a very similar line to one in Pattern Against User by At The Drive In. Who would've thought?
craze231 (November 30, 1999 at 12:00 am)
So what?
craze231 (November 30, 1999 at 12:00 am)
So?
bravobravado (November 30, 1999 at 12:00 am)
its just a band name, relax.
levanyzzuf (November 30, 1999 at 12:00 am)
I've done nothing but praise their abilities. All I'm saying is that I think their name sucks. No need to get upset about that.
jackzenh (November 30, 1999 at 12:00 am)
Return to Forever had an artistic concept that fit really well with their incredible musicianship. To undermine their abilities by saying "the name isn't modest" is silly.. their music IS cosmo galactic and they named it as such. By comparison weather report is like.. well.. listening to a weather report
jackzenh (November 30, 1999 at 12:00 am)
check out a band called 'Yes' too.. from about the same era - another obvious influence of Mars Volta's
levanyzzuf (November 30, 1999 at 12:00 am)
Besides, even Weather Report had more modesty than to title their pieces after cosmo-galactic mumbo-jumbo. It asserts a particular standing that the work itself does not aspire to.

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